| June 2004
A
wide variety of aural excitment, from classical fate to
funky fun, awaits those who don't flee on vacations
Pity
the folks who flee Manhattan for posh summer retreats. While
they contend with traffic-clogged country lanes, disease-carrying
insects and the Hilton sisters, those who stay behind have
their pick of sparkling musical offerings, served up in air-conditioned
bliss or in the city's glorious outdoor spaces.
International Keyboard Institute & Festival
In terms of bang for the buck, few summer series top Mannes
College of Music's International Keyboard Institute &
Festival (July 11-25), offering accessibly priced concerts
by both piano legends and up-and-coming stars.
Festival director Jerome Rose gets things started with towering
sonatas by Schubert and Brahms (July 11) and accompanies tenor
Jon Frederic West in Schubert's desolate "Die Winterreise"
(July 22). Pavlina Dokovska offers an all-Schumann program
(July 13), while Peter Frankl plays Schubert's C-minor sonata
and music of Schubert, Schumann and Chopin (July 21).
Lovers of Beethoven's transcendent late sonatas can choose
among concerts by Jeffrey Swann (July 15) and Michael Oelbaum
(July 23) and poetic virtuoso Fabio Bidini's program juxtaposing
Beethoven's Opus 109 sonata with works by Chopin and Debussy
(July 12).
Of special interest: Earl Wild, 88, playing works ranging
from Haydn to Respighi (July 17); Jay Gottlieb performing
21st-century music (also July 17); a master class led by Alicia
de Larrocha (July 20); and Menachem Pressler and the Beaux
Arts Trio in music by Beethoven, Debussy, Fauré and
Schubert (July 24).
Mannes is at 150 W. 85th St., Manhattan. Visit www.ikif.org
or call 212-580-0210, ext. 336.
Lincoln Center Festival
This genre-busting, geographically sweeping shindig brings
a touch of BAM-like flair to the heart of Manhattan's musical
establishment. In addition to dance and spoken-theater offerings
from around the globe, the 2004 festival includes a number
of musical events that defy categorization.
For the North American premiere of Sir John Taverner's all-night
choral work, "The Veil of the Temple," Avery Fisher
Hall will become a contemplative space, with musicians positioned
on the first and second tiers and most orchestra seats removed,
allowing listeners to sit or stand as light and sound wash
over them. Combining Eastern Orthodox, Sufi and Hindu motifs,
the work takes its inspiration from the traditional all-night
Easter vigil and calls for 120 choristers, organ, brass, percussion,
and Asian and Eastern European instruments (July 24).
Musical theater offerings include Nathan Lane's adaptation
of Stephen Sondheim's "The Frogs," based on Aristophanes'
comedy and last performed in a Yale University pool in 1974.
Tony-Award winner Susan Stroman directs this revival, for
which Sondheim composed several new songs. The show, currently
in previews at the Vivian Beaumont Theater, opens July 22
and continues its run through Oct. 10. Nicholas Brooke's world
premiere opera "Tone Test," based on Thomas Edison's
phonographic demonstrations, explores the boundaries between
original and replica in a soundscape encompassing live music,
electronics and recordings of Edison's day (July 22-24). A
traditional Kabuki tent in Damrosch Park will house the ensemble
Nakamura-za's performance of "The Summer Festival: A
Mirror of Osaka," the high-spirited tale of a young nobleman
intent on marrying a courtesan (July 17-25).
Multimedia artist DJ Spooky curates "TransMetropolitan,"
a program of Fourth World compositions mixing world music
and cutting-edge sound environments (July 21), and "Rebirth
of a Nation," a remix of D.W. Griffith's racist film
(July 23-24). Ensemble Sospeso performs original music by
Joshua Cody, Kirk Noreen, Wolfgang Rihm and Elliott Sharp
for Luis Buñuel and Salvador Dalí's 1929 silent
film "Un chien andalou" (July 22).
Finally, the festival pays tribute to Elvis Costello, whose
first full-length orchestral work, "Il Sogno" (for
a ballet of Shakespeare's "A Midsummer Night's Dream"),
receives its North American premiere (July 17). Costello performs
orchestral songs with the Netherlands Metropole Orkest (July
13) and jams with The Imposters (July 15).
Concerts are held at various Lincoln Center venues. Visit
www.lincolncenter.org or call 212-721-6500.
Lincoln Center Out of Doors
The offerings in this free, funky, multicultural festival
range from concerts by jazz giants Sonny Rollins and Chick
Corea to puppet pageants, interactive hula and yoga events.
Music fans willing to have their minds blown will find much
to enjoy, starting with a concert of overtone singing by the
monks of Tibet's Drepung Loseling Monastery (Aug. 12).
Chamber music offerings include programs of traditional and
contemporary Japanese works for shakuhachi (a wooden flute)
and koto (a 13-string zither) (Aug. 15); the Gerard Edery
Ensemble in the poignant, lilting songs of the Sephardic Jews
(Aug. 18); and Persian classical music by Bronx-born poet,
singer and instrumentalist Haale (Aug. 26). Agatsuma, a master
of the lute-like shamisen, performs his exhilarating fusion
of classical music, jazz and pop (Aug. 27).
The festival runs Aug. 10-30, with events in Damrosch Park
and on the Lincoln Center plazas. Visit www.lincolncenter.org
or call 212-875-5766.
Mostly Mozart Festival
Two years after a musicians' strike deep-sixed most of its
offerings, Mostly Mozart looks to be sailing into prosperous
waters with Louis Langrée at the helm. The Alsatian's
second season as music director opens with an all-Mozart gala
featuring Yefim Bronfman in the turbulent C-minor piano concerto
and winsome mezzo-soprano Magdalena Kozená (Aug. 3-4).
Two spit-and-polish period-instrument bands, the Freiburg
Baroque Orchestra (Aug. 5) and the Orchestra of the Age of
Enlightenment (Aug. 7-8), will play Bach and others. Director
Jonathan Miller's sassy modern-dress staging of Mozart's "Cosí
fan tutte" (first seen last year at BAM) will make a
welcome return, with Québec's scintillating Les Violons
du Roy under Bernard Labadie (Aug. 10, 12, 14).
Starry soloists include violinist Joshua Bell (Aug. 20-21)
and pianists Katia and Marielle Labèque (Aug. 6-7),
Christian Zacharias (Aug. 10-11), Emmanuel Ax (Aug. 19) and
Garrick Ohlsson (Aug. 24-25). The Mark Morris Dance Group
performs to Monteverdi, Haydn and Bach (Aug. 19, 21), while
Belgian choreographer Anne Teresa De Keersmaeker leads her
ensemble, Rosas, in an all-Mozart program (Aug. 25, 27-28).
New this year are a film series showcasing legendary pianists
(Aug. 16 and 23); late-night all-Bach concerts by soulful
cellist Pieter Wispelwey (Aug. 10-12) and violin phenomenon
Christian Tetzlaff (Aug. 17); an interactive, animal-themed
family event with composer and commentator Robert Kapilow
(Aug. 21); and a program setting Mozart's haunting Requiem
alongside Persian and Indian sacred music (Aug. 27).
Concerts are held at various Lincoln Center venues. Visit
www.lincolncenter.org or call 212-875-5776.
New York Grand Opera
Maestro Vincent La Selva and his merry band offer opera al
fresco that is more scrappily played than in the Met in the
Parks series, but also fully staged and served up with pluck
and passion. Following their monumental traversal of Verdi's
operas and several seasons centering on rarities, they turn
to three beloved masterworks: Puccini's "Turandot"
and "Tosca" (Aug. 11 and Sept. 9) and Verdi's "Rigoletto"
(Aug. 19).
Free performances start at 7:30 p.m. at the Central Park Bandshell
(72nd Street entrance). Visit www.newyorkgrandopera.org or
call 212-245-8837.
New York Guitar Seminar at Mannes
The Upper West Side will swing to steamy ritmos brasilieros
during the New York Guitar Seminar at Mannes. Brazilian virtuosos
Celso Machado (July 6), Fabio Zanon (July 7) and Carlos Barbosa-Lima
(July 8) headline this year's concerts, which also feature
the Guitar Project, Mario Ulloa and Croatian master Srdjan
Berdovic (July 9).
The seminar runs July 6-10. Visit www.mannes.edu/guitar or
call 212-580-0210, ext. 285. |